Private Mastering Course

Private Mastering Course

The Private Mastering Course  is a 12 week intensive course designed to teach you the skills of professional mastering. The primary objective of the mastering engineer is to make sure that the final mixes translate to consumer media systems. The primary credo of the mastering engineer? Do No Harm!

Becoming a mastering engineer requires learning a different method of listening from that of the mix engineer. It requires that you get maximum results from the absolute minimum of processing. It requires a deep understanding of the tools used in mastering and how to use them effectively. The Private Mastering Course will teach you these skills.

What makes the Private Mastering Course unique from other courses is that your work will be professionally evaluated each week through private lessons or mastering submissions that will be evaluated in the form of recorded videos. You will be guided through each stage of the mastering process learning mastering-specific processing techniques that culminate in the mastering of a full album at the end of the course.

The Course can be joined at one of the 3 following participation levels:

  1. Class Participant – (No Evaluations)
  2. Master Evaluation – (Recorded Evaluations)
  3. Private Instruction – (Scheduled Private Lessons)

1. Class Participant: This level allows you to participate in the live classes and have access to the mixes that will be used in the demonstrations and assigned exercises.

1. Master Evaluation: Starting with week 3, you will submit Mastering work each week demonstrating that week’s lesson (See Compatibility & Requirements below). In return you will receive a screen captured recording of my evaluation that includes a detailed review of your work with demonstrations of the necessary corrections. You will also receive a screen captured recording of the lesson and the saved DAW session file from the evaluation.

2. Private Instruction: Starting with week 3, you will begin a series of 10, weekly scheduled, private lessons that are 1.5 hours in length. Using Google Hangouts, I will open your mastering session and we will go through the evaluation using screen-sharing and stereo audio transmission. (See Compatibility & Requirements below) In addition to a detailed evaluation, I will answer your questions and also provide demonstrations where necessary. You will also receive a screen captured recording of the lesson and the saved DAW session file from the lesson.


  1. Attend or View Class #1: All Classes for each week are recorded and available from the Private Mastering Course Launch Page which can be accessed using the “MPG Courses” navigation tab at the top of every web page and selecting “Private Mastering Course” from the list. Each class will contain instructions and demonstrations for that week’s work.
  2. Study Course Materials: In addition to the live class instructions, each week may also include a series of extra video materials you will be required to watch to enhance your understanding of each step in the mixing process.
  3. Start Mastering: Begin your mastering work following the provided instructions. If you have questions, you will be able to email me directly. Do not work beyond that week’s assignment until your work has been evaluated.
  4. Submit Your Work: All masters will be submitted, as a full DAW session, via shared DropBox folder. Each person will have an individual DropBox folder shared only with me.
  5. Private Lesson or Master Evaluation: Private Lesson students will have their review at the scheduled lesson time in person. Master Evaluation students will receive a recorded video evaluation (approximately 30 mins long on average) of their work shared through their DropBox folder. Review the video and make the necessary corrections or adjustments before the next class. Private Lesson students must submit their work before the scheduled lesson.
  6. View the Next Class  Lesson Materials


ALL Private Mix Membership Levels Should have the Following:

ALL Multi-Track and Private Lesson Students: If your primary plugin bundle is not shown below, please contact me

  • Available DAWs
    • Pro Tools 10 or above
    • Logic X
    • Studio One 3
    • Ableton Live
    • Cubase
    • WaveLab
  • Available Plugins: These are plugins I currently have licenses for. If you do not see your primary plugins listed please contact me.
    • Stock DAW Plugins for the DAWs listed above
    • Antares (AT8.1, EFX)
    • Celemony (Melodyne)
    • Eventide (Entire Collection)
    • Eiosis (Air EQ, E2 Deesser)
    • FabFilter (Entire Collection)
    • IK Multimedia (TRacks Max, Amplitube Max)
    • iZotope (Entire Collection)
    • Kush Audio (Entire Collection)
    • Lexicon (Entire Collection)
    • Native Instruments (Komplete 11 Ultimate)
    • Plugin Alliance (Almost Entire Collection)
    • Slate Digital (Everything Bundle)
    • Sonnox (Entire Collection)
    • Softube (Entire Collection)
    • Sound Radix (Entire Collection)
    • Sound Toys (Entire Collection)
    • Universal Audio (Entire Collection)
    • WaveArts (Entire Collection)
    • Waves (Entire Collection)
    • Assorted Plugins from the following Manufacturers (Audified, Exponential Audio, JST, Klanghelm, LSR, Massey, Melda, Metric Halo, Nomad Factory, Pensadia, Plug and Mix, SSL, UVI, Vahalla )

If you have questions regarding the available DAWs and Plugins listed above, please fill out the Contact form at the bottom of this page with your inquiry.

The Private Mastering Course Includes:

  • Mixes for the Mastering Exercises
  • Access to Recorded Classes
  • Additional Support Videos
  • Direct Email Access For Questions

The Program

Class 1: The Mastering Mindset (Feb 8)

This class introduces the mindset of the professional mastering engineer and how they approach the process of mastering. The listening techniques covered in this lesson will be a foundational part of the the rest of the course.

  1. Course Overview and Instructions
  2. Brief History of Mastering
  3. Jobs of the Modern Mastering Engineer
  4. Mastering Studio Setup
  5. Listening Techniques for Mastering
  6. Evaluating Mixes and Masters

Class 2: The Tools of Mastering (Feb 15)

This class introduces some very familiar tools but from the perspective of the mastering engineer. It also introduces some less familiar tools that are specific to mastering and loudness.

  1. Mastering Equalizers
  2. Mastering Compressors
  3. Harmonic Enhancement Tools
  4. Spatial Processors
  5. Mastering Limiters
  6. Mastering Meters and Analyzers

Class 3: Equalization Techniques for Mastering (Feb 22)

Mastering EQs are designed with precision, transparency and musicality in mind, and the mastering engineer’s approach to equalization is exactly the same. The techniques used differ greatly from those of the mixing engineer and that is exactly what this class will focus on.

  1. Types of Mastering Equalizers
  2. Selecting the Best Mastering EQ
  3. Filtering Techniques
  4. ‘Feathering’ Equalization Techniques
  5. Stair-Stepping Equalization Techniques
  6. Baxandall and Tilt EQ

Class 4: Compression Techniques for Mastering (Mar 1)

Compression in mastering is all about focus, imaging quality and depth perception. Understanding the different types of compression and how they affect these qualities is as important as understanding the techniques used to create them.

  1. Types of Mastering Compressors (Dig, Vari-Mu, Opto, VCA)
  2. Selecting the Best Mastering Compressor
  3. Averaging Compression Techniques
  4. Front-Back Depth Compression Techniques
  5. Imaging Compression Techniques
  6. Using Tape for Compression

Class 5: Harmonic Enhancements for Mastering (Mar 8)

The class will focus on the powerful world of harmonic enhancements to bring warmth and listenability to your masters. The information here will provide a foundation for all of your vintage EQ and compressor processing decisions.

  1. Defining Harmonic Enhancement
  2. Harmonic Enhancement Tools
  3. Component Based Harmonic Enhancements
  4. Tape Based Harmonic Enhancement
  5. Exciters in Mastering

Class 6: Imaging and Depth Processors (Mar 15)

The ultimate goal of a great mastering is to get the music to “escape the speakers”. 3D sound field specific processing is an important  part of that process. This class will teach you the techniques that help create depth and width in your mastering work.

  1. Mastering and the 3D Sound Field
  2. Mid-Side Level and Balance Processing
  3. Imager Processing
  4. Low Level Enhancement for Depth
  5. Mastering with Early Reflections and Reverb

Class 7: Multi-Band Processing for Mastering (Mar 22)

Multiband processing is primarily a product of the digital realm. It can bring life to stubborn mixes, control sibilance and harshness, dynamically balance a master, and provide precision transient control. They can also tear a master apart. This class will teach you techniques and specific guidelines you can use to take advantage of these very sophisticated processors.

  1. Defining Multi-Band Processors
  2. Multi-Band Compression
  3. Multi-Band Expansion
  4. Multi-Band Dynamic Equalization
  5. De-Essing Masters
  6. Multi-Band Limiting

Class 8: Mid-Side Processing Techniques for Mastering (Mar 29)

Mid-Side processing goes all the way back to cutting lathe and mastering for vinyl records. The most powerful elements of a mix, including vocals, bass, kick and snare are often panned center in the mix with complimentary elements panned to the sides. This provides the ability to process primary and secondary elements of a mix independently. This will guide you through the advantages and pitfalls of this approach to processing masters.

  1. Mid-Side Processing Defined
  2. Mid-Side Balancing
  3. Mid-Side Equalization
  4. Mid-Side Compression
  5. Mid-Side Width and Depth Processing

Class 9: Loudness Processing and Gain Maximization (April 5)

Regardless of your feelings about compression and limiting, the competitive marketplace dictates that artists will want you to make their masters as loud as possible. Understanding how to create loud masters that feel present and dynamic without the need for excessive processing is the focus of this class.

  1. Loudness Standards and Metering
  2. Using Compression for Loudness
  3. Parallel Processing for Loudness
  4. Single Band Gain Maximization
  5. Muti-Band Gain Maximization

Class 10: Mastering Singles (April 12)

Now that you have covered the fundamentals of processing masters, it is time to put your processing skills to work. Each mastering demonstrated in this class will detail specific problems and the solutions used to solve them. All off the techniques used will draw from the information provided in the first 9 classes.

  1. Gain Structure and Head/Tail Edits
  2. Equalization
  3. Compression
  4. Harmonic Enhancements
  5. Depth and Spatial Processing
  6. Maximizing Gain

Class 11: EPs/Albums Part 1: Structuring the Album (April 19)

Mastering EPs and Albums limits some of the freedoms you have with mastering singles. Because the songs will be sold as a collection, they must sound like they belong together with each song leading to the next fluidly and with equal perceived loudness. This class features techniques that will teach you how to establish a signature sound and deal with the inevitable imbalances that will occur from song to song.

  1. Gain Structure and Head/Tail Edits
  2. EP/Album Layout
  3. Establishing a Common Processing Chain
  4. Unique Processing for Problem Mixes
  5. Tonal Balancing the Album

Class 12: EPs/Albums Part 2: Finalizing the Master (April 26)

This class continues the work of assembling an album or EP and covers the differences in creating digital release masters and physical CD masters.

  1. Song Spacing
  2. Song to Song Loudness Balancing
  3. AAC and MP3 Compatibility
  4. Creating a DDP Master
  5. Finalizing Digital Masters

Bonus Class: Final Mastering Submissions (May 3)

This class will feature the best final master submissions from each student in the course, final assessments, preview of upcoming events and a Private Mastering Course wrap up.

  1. Final Mastering Submissions
  2. Final Assessments & Advice
  3. What’s Next?
  4. PMC Wrap Up


Due to the time required to manage private lessons and mastering submissions, the Private Mastering Course can only be purchased based on schedule availability. Upon scheduling approval and completed payment, the course program will begin on a weekly basis without disruption. Please use the contact form below if you are interested and I will answer all questions and propose scheduling times to begin the program.

Multi-Track and Private Instruction members will need to work within the limitations of available DAWs and Plugins listed above.

Class Participant: $300

Multi-Track Mix: $1,250

Private Instruction: $2,000

If you are interested please contact me directly using the form below. All Private Mastering Course purchases will be made by invoice after your request has been processed

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